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Medieval Christian legend suggests that St. Brendan the Navigator discovered Newfoundland during a first century voyage from Ireland. Though no proof exists of St. Brendan's discovery, the Irish have an established history in Atlantic Canada dating back years. From the mids, when Irish fisherman trawled Atlantic Canada's coastline, to the mids, when persecuted, poor and pioneering Irish immigrants arrived in droves on Canadian shores, the Irish helped build and shape Atlantic Canada.
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Their conversation has been lightly edited for clarity.
The setting is rich with tactile imagery. As you conceived the story, were the details of place and plot always entwined?
Elizabeth McCracken: So much of our personalities is based on context—geographical or social or architectural. So from the start I wanted everything unfamiliar to Sadie to press down upon her.
The house described here is very much based on the former home of some dear friends, and having a space I could walk my characters through made a big difference: I was with them on that Vermeer floor, in that kitchen with the bathroom off of it. Physical details are one of my favorite things to read about in fiction, so I tend to put them in.
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Yes, of course, yearning, love, existential crises—but I always want to know about the bar of soap and the smell of dog and what kind of pants people are wearing. Early on, Sadie learns that her boyfriend, Jack, is actually named Lenny.
Why are reality and first impressions at such odds in the story? Alvarado: The scene most saturated with ambiguity also happens to be the funniest.
They are joking about the feces visibly afloat in the toilet. Tellingly, Jack never steps in to save Sadie. What does this moment reveal about their relationship? Alvarado: Family constitutes an intimidating force in the story.
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Around his dad and siblings, Jack becomes, again and again, unrecognizable and distant to Sadie. How does family shape our inner lives?
McCracken: Like a corset and a torso, a chain-link fence and a persistent tree, a Bundt pan and a bowlful of batter; by erosion, constriction, neglect, lack of planning, surfeit of planning. He never married.
Coincidentally, Sadie and Jack dress for the wedding in his former room. Readers might interpret this as an omen of some kind. McCracken: It forebodes what marriage does in real life: everything and nothing. Weddings are public; marriages are supposed to be private, or so I always thought.
I think there are people who are happily married and people who are happily single and people who are miserably one or the other. The old man who died alone in the house might be the happiest character in the story, or he might not be. What should we make of her uncontrollable laughter, and where does it leave her with the Valerts?
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But I pulled myself together instantly, unlike Sadie. Popular Latest. The Atlantic Crossword. In Subscribe.